“When I first began experimenting with fabric-making, I imagined a dive into a technique—a study in both historical and contemporary craftsmanship. Tie & dye seemed like a natural starting point, unseemingly complicated by difficult production techniques, or so I thought. Journeying deeper into the art of fabric-making, what was supposed to be a reconnection to traditional methodologies soon turned into a recognition of our longstanding dialogue with the environment. This journey was not a nostalgic return, but a yielding of process.

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Over time, it became unsettlingly clear that the environment was my uninvited co-creator. The more I tried to control the outcome of the dyeing process, the more she resisted. This isn’t just a series about fabric. It is about impact; about the undeniable entanglement between what we make, and the world we make it in.”